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Anarchive
Tag Archives: W.S. Graham
Phorgotography, 5
Next near-subliminal Facebook flashcard was from Depths of Lockdown. This was the same image I’d picked out to illustrate a point about Creative Procrastination in my piece for NCLA’s New Defences of Poetry, a website-that-shoulda-been-a-book edited by David O’Hanlon-Alexandra, so … Continue reading
Phorgotography, 3
vii this is enough(This is another instance of Facebook popping up a few photos at random, me finding myself responding more thoughtfully to them than Ι’d expected – ie being a bit floored by the coincidence – only not to … Continue reading
Keaton, Carrington, Milligan: 1
(I seem to have spent forever over this next set of posts, or, rather, not so much over as hovering – or havering – nearby. Many other duties, including a talk on one of the poets mentioned below, W.S. Graham, … Continue reading
Posted in current emanations, xenochronicity
Tagged Arc Publications, Buster Keaton, DCA, Dundee, Ivor Cutler, Leonora Carrington, Little Nemo, Neil Brand, Poet & Critic, Reverend Thomas Dick, Rudi Blesh, Spike Milligan, Steamboat Bill Jr, Teresa Griffiths, The House of Fear, The Testament of the Reverend Thomas Dick, Verity Maidlow, W.S. Graham, Winsor McCoy
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Two Poems for Tom Raworth and an Instant Elegy
I’m indebted to Peter Manson who, on my posting a short elegy on Tumblr for Tom Raworth, suggested I reproduce here two poems he, Peter, and his co-editor Robin Purves, first published in Object Permanence, no. 3 (Sept 94). These … Continue reading
Posted in sparrow mumbling, xenochronicity
Tagged Aquinas, Edwin Morgan, Eric Mottram, Ezra Pound, Frank O'Hara, George Roberts, Gwynneth Lewis, Heavy Light, Helen Kidd, Hugh MacDiarmid, Informationism, Joe Kelleher, John Ashbery, Keith Jebb, Language Poetry, Lèvre de Poche, Machiavelli, Mick Imlah, Oxford Covered Market, Oxford Poetry, Oxford University Poetry Society, Peter Manson, Reality Studios, Robert Creeley, Robin Purves, Tom Raworth, W.S. Graham
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Omnisatire and the Ragged Sleeve
Reading The Poets of The People’s Journal, edited by Kirstie Blair, I am so far maist impressed by by the mock-rustic ‘Poute’ (Alexander Burgess), wha conducts a sort of omnisatire, in that he critiques mid-19th century assumptions about poetry, the … Continue reading
Posted in current emanations
Tagged 'Poute' (Alexander Burgess), Adrian Wisniewski, Alexander Moffat, Alison Flett, Annalena McAfee, David Kinloch, David Wheatley, George Gilfillan, Guardian Review, Harry Giles, Hugh MacDiarmid, Jackie Kay, Kate Kellaway, Kirstie Blair, Liz Lochhead, Lys Hansen, People's Journal, Peter Howson, R.D. Laing, Richard Price, Robert Burns, Robert Crawford, Stella Cartwright, Stephen Campbell, The Bottle Imp, Tom Leonard, W.S. Graham, William Letford, William McGonagall
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Quick notes on editing ‘New Boots’
(Eek, it’s been a while since I posted here! Still struggling with the unresolvable first section of my Mexican post, with the actual intro for New Boots and Pantisocracies just gone to the publisher, this is a few notes I … Continue reading
Posted in current emanations, xenochronicity
Tagged Biographia Literaria, Choman Hardi, Ezra Pound, Fiona Moore, Hugh MacDiarmid, Lyrical Ballads, Marx, New Boots and Pantisocracies, Oscar Wilde, Poetry Book Fair, Ron Villanueva, Samuel Taylor Coleridge, Shakespeare, Sophie Mayer, The Smith Commission, Venus and Adonis, W.S. Graham
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Portrait of an Informationist, (or, The Kind of Found Poetry I Want)
(About 11 months ago, I did one of those Facebook ‘challenge’ chains – post a poem each day for five days; challenge five others to do the same – which are just an excuse to share new work. Most of … Continue reading
A note on MacCaig
(This brief note arose from a Facebook chat with Alan Buckley, in which I suppose I was outlining something of what I think of as Secondariness – how certain writers, indeed certain literatures, are perceived as outside the frame of … Continue reading