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- @peterctid1965 @keith_jebb @BmillsBilly I meant ‘Poetry is Dead’ but ‘Poetry is the Dead’ or even ‘Poetry is “The Dead”’ will do as well… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly We’re probably straying into Poetry is the Dead/the New Rock n Roll/the New… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly Me neither - I think that’s where I’m heading but I don’t rightly know where ‘there’ is ye… twitter.com/i/web/status/1… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly It’s probably caught up in how ideas of worth get smoodged up with ideas of… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly I certainly experience an issue distinguishing types of writing from a hierarchy of texts,… twitter.com/i/web/status/1… 1 day ago
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Tag Archives: Choman Hardi
Quick notes on editing ‘New Boots’
(Eek, it’s been a while since I posted here! Still struggling with the unresolvable first section of my Mexican post, with the actual intro for New Boots and Pantisocracies just gone to the publisher, this is a few notes I … Continue reading
Posted in current emanations, xenochronicity
Tagged Biographia Literaria, Choman Hardi, Ezra Pound, Fiona Moore, Hugh MacDiarmid, Lyrical Ballads, Marx, New Boots and Pantisocracies, Oscar Wilde, Poetry Book Fair, Ron Villanueva, Samuel Taylor Coleridge, Shakespeare, Sophie Mayer, The Smith Commission, Venus and Adonis, W.S. Graham
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