Tag Archives: Mexico City

Mourning and Monsters, 2

Posted on December 26, 2017 by Bill Herbert

(In which we perhaps learn more about the monsters, and the Makarship, than the mourning…) At the end of the short filmed interview he conducted with me after my gaining the Dundee Makarship in 2013, the late Jim Stewart was … Continue reading →

Posted in current emanations, Makaronics, xenochronicity | Tagged Andy Jackson, Asif Khan, Auchenshoogle, Beanotown, Bristol Festival of Ideas, Cactusville, D'Arcy Thompson, Desperate Dan, Dr Patrick Blair, Dundee, Dundee Doldrums, Dundee Makar, Emily Dickinson, Florentina, Frankenstein, Gairfish, Grand Theft Auto, Grove Academy, Hector Boece, Informationism, Jim Stewart, Leonora Carrington, Mary Shelle, Mexico City, Minecraft, Monstro, New Boots and Pantisocracies, Oor Wullie, Pinocchio, Robert Wedderburn, Strawberry Duck, The Broons, The Complaynt of Scotlande, The Courier, The Dundee Whale, The McManus Galleries, The Newcastle Centre for the Literary Arts, The People's Friend, The Scottish Poetry Library, The Uncouthy, W.D. Latto, William McGonagall | Leave a comment

Leonora, Linares, and the Alebrijes, 2

Posted on November 1, 2017 by Bill Herbert

4 The next day I had two new fixations: getting my jacket dry-cleaned, and having a ‘souvenir haircut’. (As I have almost no hair, the second of these is sometimes replaced by the souvenir shave.) Giovanni reckoned that a short … Continue reading →

Posted in xenochronicity | Tagged Alebrije, Chaz Brenchley, Coconino County, Dia de los Muertos, Diego Rivera, Frieda Kahlo, George Herriman, Ignatz Mouse, Jorge Fondebrider, Julián Herbert, Krazy Kat, Leonora Carrington, Lewis Carroll, Mexico City, Museo de Arte Popular, Nahuatl, Oaxaca, Orfeon, Palacio de Bellas Artes, Pedro Linares, Reverend Thomas Dick, Roboet, The Testament of the Reverend Thomas Dick, Tiffany Atkinson, Tona | 1 Comment

Leonora, Linares and the Alebrijes, 1

Posted on October 31, 2017 by Bill Herbert

(I’ve been meaning and indeed longing to get back to this account of my non-encounter with Leonora Carrington two years ago in Mexico City, and to describe what I met instead. Revisiting my drafts within a month of the earthquake … Continue reading →

Posted in xenochronicity | Tagged André Breton, Brendan Riley, Carlos López Beltran, Claudio Lomnitz, Daniel Garza Usabiaga, David Cronenberg, Elena Poniatawska, eXistenZ, Julián Herbert, Lee Miller, Leonora Carrington, Lewis Carroll, Liverpool Tate, Mama Leukaemia, Max Ernst, Mexico, Mexico City, Museo Arts Moderno, Museo Nacional de Antropología, Museo Tamayo Arte Contemporáneo, Ome Tochtli, Pedro Linares, Pedro Serrano, Remedios Varo, Rene Magritte, Richard Gwyn, The Generation of the Lamb, William Burroughs, Wolfgang Paalen, Xochipilli | Leave a comment

From the Miniature to the Virtual: Informationist Dundee

Posted on April 18, 2016 by Bill Herbert

Like several Scottish and Northern cities which have struggled with their changing identity – are they, as formerly, principally provincial conglomerations, or can they become something more, something capable of rebalancing the stacked centre/region dichotomy? – Dundee has performed and … Continue reading →

Posted in dundee makar | Tagged Alice, Cox's Stack, Czech Republic, D.M. Brown's, Darlington, Draffens, Dundee, Dundee Doldrums, Dundee Makar, Durham, Edinburgh, Edwin Morgan, Elgin, Flann O'Brien, Frieda Kahlo, Gairfish, General Monck, Groucho's, Grove Academy, Hugh MacDiarmid, Hull, Informationist Dundee, Jackie Kay, John Davidson, Kolkata, Lewis Carroll, Liz Lochhead, Mennie's, Mexico City, Michael Marra, Monty Python, Newcaslte, Noctes Ambrosianae, Pedro Serrano, Richard Price, Royal Arch, Royal Society of Literature, Scots language, Shanghai, Situationism, Speedwell Tavern, Stirling, Tay Whale, Taybridge Bar, The Goons, The McManus, The Overgate, The Pillars, The Ruin, The White Knight, Through the Looking Glass, Trades Kirk, Virtual Scotland, W.S. Graham, Whaleback City, William McGonagall, Wordsworth Trust | 1 Comment

Psychogeoferric Footnotes

Posted on January 21, 2016 by Bill Herbert

(This is the last of the plunder from Tumblr: displacement activity for not finishing off the Mexico City post, which I have now no excuse not to return to apart from the full time job. And my accounts. I’m adding … Continue reading →

Posted in dundee makar | Tagged Andy Jackson, Beijing, Church of the Holy Sepulchre, Crete, Dome on the Rock, Donegal, Dundee, Hagia Sophia, James Joyce, Kilometre Zero, Lewis Carroll, Madrid, Magdalen Green, Mexico City, Newcastle, Portmanteau Word, The Discovery, The Forbidden City, The Wailing Wall, Whaleback City | 1 Comment

Daft Globe: Syd Barrett and Dark Whimsy

Posted on December 31, 2015 by Bill Herbert

(I’ve been vaguely attempting to push on with my next post about Leonora Carrington, which focuses on Mexico City, but in fact have been obsessing about Syd Barrett instead. Somehow, not only are these two subjects related, but Barrett seems … Continue reading →

Posted in xenochronicity | Tagged A.A. Milne, Billy Mackenzie, Captain Beefheart, Chuang Tzu, David Bowie, David Gilmour, Dickens, Edinburgh, Edward Lear, Eno, G. Gregory Smith, Hogmanay, Humble Pie, Jeff Shirley, Keats, Leonora Carringtom, Lewis Carroll, Malcolm Jones, Mark E. Smith, Mexico City, Pink Floyd, Richard Dadd, Robert Fergusson, Robert Wyatt, Roger Waters, Scrooge, Shakespeare, Spike Milligan, Syd Barrett, The Daft Days | Leave a comment

Tag Archives: Mexico City

Mourning and Monsters, 2

Leonora, Linares, and the Alebrijes, 2

Leonora, Linares and the Alebrijes, 1

From the Miniature to the Virtual: Informationist Dundee

Psychogeoferric Footnotes

Daft Globe: Syd Barrett and Dark Whimsy

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