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Tag Archives: David Kinloch
Omnisatire and the Ragged Sleeve
Reading The Poets of The People’s Journal, edited by Kirstie Blair, I am so far maist impressed by by the mock-rustic ‘Poute’ (Alexander Burgess), wha conducts a sort of omnisatire, in that he critiques mid-19th century assumptions about poetry, the … Continue reading
Posted in current emanations
Tagged 'Poute' (Alexander Burgess), Adrian Wisniewski, Alexander Moffat, Alison Flett, Annalena McAfee, David Kinloch, David Wheatley, George Gilfillan, Guardian Review, Harry Giles, Hugh MacDiarmid, Jackie Kay, Kate Kellaway, Kirstie Blair, Liz Lochhead, Lys Hansen, People's Journal, Peter Howson, R.D. Laing, Richard Price, Robert Burns, Robert Crawford, Stella Cartwright, Stephen Campbell, The Bottle Imp, Tom Leonard, W.S. Graham, William Letford, William McGonagall
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Blurbalicious
The art of the poetry blurb is such a particular thing, and, as I’m asked to perform it with increasing frequency, I find myself wondering whether or not I do so from a sufficiently principled stance. Below are the most … Continue reading
xenochronicity
As Mark Smith, the original Post-Nearly Man, asks, ‘Moderninity, what is it?’ Xenochronicity is a term derived from two sources – Zappa’s xenochrony and Jung’s synchronicity. Definitions, gentlemen, please: ‘In this technique, various tracks from unrelated sources are randomly synchronized with each … Continue reading
Posted in xenochronicity
Tagged Andrew Waterhouse, David Kinloch, Donny O'Rourke, Frank Zappa, Johnny Vegas, Jung, Keith Morris, Linda France, Mark E. Smith, Mozart, Sean O'Brien, The Guardian
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