Author Archives: Bill Herbert

About Bill Herbert

Poet and pseudo-scholar W.N. Herbert was born in Dundee in 1961, educated there and at Oxford, where he completed his DPhil thesis on Scottish poet Hugh MacDiarmid, and now lives and works in Newcastle. He is Professor of Poetry and Creative Writing at Newcastle University, and his books are published by, among others, northern publisher Bloodaxe Books. He is also the Dundee Makar, or city laureate.

Poetry, performance and place: a postcard from Dundee

Originally posted on SGSAH Blog:
This post was written by Erin Farley, a second year PhD candidate at the University of Strathclyde on the Collaborative Doctoral Award project “Poetry, Song and Community in the Industrial City: Victorian Dundee,” in partnership…

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The Three Polis: Scots and Intralingual Translation

The panel I took part in on translation at last week’s Newcastle Poetry Festival raised a number of issues of equal fascination to both poets and translators, and, one would hope, readers of both. I found myself as excited by … Continue reading

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Close, 4

(The previous post involved me testing out and adapting one of Geddes’s ‘thinking machines’ – a little bit of neural coding, if you like. It helped me recognise that my tendencies to withdrawal, incrementalism, slapstickery, and to what I identified … Continue reading

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Close, 3

(I was struck while reading this review of Murakami’s latest book of short stories by the parallel between his ‘dialled down’ male protagonists, and the ‘hermless’ aspect of Dundee’s male population during the heyday of the jute industry, the ‘kettle-bilers’ … Continue reading

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Close, 2

(A short disquisition on how sideboards do furnish a room, in which I’m thinking about types of closeness: how close we get to – or should approach – those lives we thought we might lead. How distant the writer might … Continue reading

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Close, 1

(When I went off to Crete for 10 days over Paskha, I had a cunning plan. Knowing that I had large projects of scary creative work to do in the realms of both poetry and prose, I set myself two … Continue reading

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Waukendremes, 2

The opposite of falling asleep while reading must be, exactly, waking up while writing. I’ve had, as most writers have, the experience of waking with a phrase or an entire poem in my head; or of remembering at the point … Continue reading

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