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- On the stroke of #MidnightElginMarblesUpdates: twitter.com/ae_stallings/s… 1 hour ago
- RT @ABJackson1: An uncollected poem by Alexander Hutchison, with italics represented by flanking asterisks: SOME SHIFT Certainly it is ti… 23 hours ago
- RT @NEUboots2021: We featured Bernadette the Marvellous on New Boots slightly more than a year ago, during the first Lenten Lockdown: htt… 1 day ago
- @ianduhig Also: this new Bashō translation from 1906 turns the whole poem on its head. https://t.co/nywqw75jk2 1 day ago
- @ianduhig When I was a Young Dundonian back in #VirtualDundee, we had a haiku club called #TheBashōStreetKids, and… twitter.com/i/web/status/1… 1 day ago
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Recent Posts
- Keaton, Carrington, Milligan: 4
- Keaton, Carrington, Milligan: 3
- Keaton, Carrington, Milligan: 2
- Keaton, Carrington, Milligan: 1
- Mourning and Monsters, 2
- Mourning and Monsters, 1
- Leonora, Linares, and the Alebrijes, 2
- Leonora, Linares and the Alebrijes, 1
- Pies, Poute, and the Poetry Mills of Victorian Dundee
- Poetry, performance and place: a postcard from Dundee
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Anarchive
Category Archives: xenochronicity
Keaton, Carrington, Milligan: 2
Keaton, Carrington, and Milligan all encounter a similar type of crisis in their ability to pursue their art. The effect on them as creative individuals, and their attempts at solutions, however, are very different. For Keaton, it’s the encroachment of … Continue reading
Posted in current emanations, xenochronicity
Tagged Buster Keaton, Hector Boece, Historia Gentis Scotorum, Holinshed, John Bellenden, Leonora Carrington, MacBeth, Shakespeare, Spike Milligan, Steamboat Bill Jr, The Goon Show, The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin
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Keaton, Carrington, Milligan: 1
(I seem to have spent forever over this next set of posts, or, rather, not so much over as hovering – or havering – nearby. Many other duties, including a talk on one of the poets mentioned below, W.S. Graham, … Continue reading
Posted in current emanations, xenochronicity
Tagged Arc Publications, Buster Keaton, DCA, Dundee, Ivor Cutler, Leonora Carrington, Little Nemo, Neil Brand, Poet & Critic, Reverend Thomas Dick, Rudi Blesh, Spike Milligan, Steamboat Bill Jr, Teresa Griffiths, The House of Fear, The Testament of the Reverend Thomas Dick, Verity Maidlow, W.S. Graham, Winsor McCoy
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Mourning and Monsters, 2
(In which we perhaps learn more about the monsters, and the Makarship, than the mourning…) At the end of the short filmed interview he conducted with me after my gaining the Dundee Makarship in 2013, the late Jim Stewart was … Continue reading
Posted in current emanations, Makaronics, xenochronicity
Tagged Andy Jackson, Asif Khan, Auchenshoogle, Beanotown, Bristol Festival of Ideas, Cactusville, D'Arcy Thompson, Desperate Dan, Dr Patrick Blair, Dundee, Dundee Doldrums, Dundee Makar, Emily Dickinson, Florentina, Frankenstein, Gairfish, Grand Theft Auto, Grove Academy, Hector Boece, Informationism, Jim Stewart, Leonora Carrington, Mary Shelle, Mexico City, Minecraft, Monstro, New Boots and Pantisocracies, Oor Wullie, Pinocchio, Robert Wedderburn, Strawberry Duck, The Broons, The Complaynt of Scotlande, The Courier, The Dundee Whale, The McManus Galleries, The Newcastle Centre for the Literary Arts, The People's Friend, The Scottish Poetry Library, The Uncouthy, W.D. Latto, William McGonagall
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Mourning and Monsters, 1
(As Christmas and the year’s end approaches, you begin to adopt Janus’s regard: looking forward to what is shared and anticipated, while reflecting back on what is lost or appears to be completed. I’ve been considering the links between the … Continue reading
Posted in current emanations, Makaronics, xenochronicity
Tagged Andy Croft, Broughty Ferry, Byron, Crete, Don Juan, Dundee, Fudan University, N.S. Thompson, Shanghai
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Leonora, Linares, and the Alebrijes, 2
4 The next day I had two new fixations: getting my jacket dry-cleaned, and having a ‘souvenir haircut’. (As I have almost no hair, the second of these is sometimes replaced by the souvenir shave.) Giovanni reckoned that a short … Continue reading
Posted in xenochronicity
Tagged Alebrije, Chaz Brenchley, Coconino County, Dia de los Muertos, Diego Rivera, Frieda Kahlo, George Herriman, Ignatz Mouse, Jorge Fondebrider, Julián Herbert, Krazy Kat, Leonora Carrington, Lewis Carroll, Mexico City, Museo de Arte Popular, Nahuatl, Oaxaca, Orfeon, Palacio de Bellas Artes, Pedro Linares, Reverend Thomas Dick, Roboet, The Testament of the Reverend Thomas Dick, Tiffany Atkinson, Tona
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Leonora, Linares and the Alebrijes, 1
(I’ve been meaning and indeed longing to get back to this account of my non-encounter with Leonora Carrington two years ago in Mexico City, and to describe what I met instead. Revisiting my drafts within a month of the earthquake … Continue reading
Posted in xenochronicity
Tagged André Breton, Brendan Riley, Carlos López Beltran, Claudio Lomnitz, Daniel Garza Usabiaga, David Cronenberg, Elena Poniatawska, eXistenZ, Julián Herbert, Lee Miller, Leonora Carrington, Lewis Carroll, Liverpool Tate, Mama Leukaemia, Max Ernst, Mexico, Mexico City, Museo Arts Moderno, Museo Nacional de Antropología, Museo Tamayo Arte Contemporáneo, Ome Tochtli, Pedro Linares, Pedro Serrano, Remedios Varo, Rene Magritte, Richard Gwyn, The Generation of the Lamb, William Burroughs, Wolfgang Paalen, Xochipilli
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The Three Polis: Scots and Intralingual Translation
The panel I took part in on translation at last week’s Newcastle Poetry Festival raised a number of issues of equal fascination to both poets and translators, and, one would hope, readers of both. I found myself as excited by … Continue reading
Posted in current emanations, xenochronicity
Tagged Charles Olson, Dundee, Dundee Doldrums, Erica Jarnes, Ezra Pound, Fiona Sampson, Hugh MacDiarmid, I Am The Walrus, Jean Boase-Beier, John Lennon, Kent, Newcastle, Newcastle Poetry Festival, Poettrios, River Tay, Robert Creeley, Robert Wedderburn, Roman Jakobson, Sophie Collins, Tayside, Thatcherism, The Beatles, The Complaynt of Scotlande, The Horrors of Slavery, The Maximus Poems, The Monolog Recreativ, The Poetry Translation Centre
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