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- On the stroke of #MidnightElginMarblesUpdates: twitter.com/ae_stallings/s… 2 hours ago
- RT @ABJackson1: An uncollected poem by Alexander Hutchison, with italics represented by flanking asterisks: SOME SHIFT Certainly it is ti… 1 day ago
- RT @NEUboots2021: We featured Bernadette the Marvellous on New Boots slightly more than a year ago, during the first Lenten Lockdown: htt… 1 day ago
- @ianduhig Also: this new Bashō translation from 1906 turns the whole poem on its head. https://t.co/nywqw75jk2 1 day ago
- @ianduhig When I was a Young Dundonian back in #VirtualDundee, we had a haiku club called #TheBashōStreetKids, and… twitter.com/i/web/status/1… 1 day ago
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Tag Archives: Carlos López Beltran
Leonora, Linares and the Alebrijes, 1
(I’ve been meaning and indeed longing to get back to this account of my non-encounter with Leonora Carrington two years ago in Mexico City, and to describe what I met instead. Revisiting my drafts within a month of the earthquake … Continue reading
Posted in xenochronicity
Tagged André Breton, Brendan Riley, Carlos López Beltran, Claudio Lomnitz, Daniel Garza Usabiaga, David Cronenberg, Elena Poniatawska, eXistenZ, Julián Herbert, Lee Miller, Leonora Carrington, Lewis Carroll, Liverpool Tate, Mama Leukaemia, Max Ernst, Mexico, Mexico City, Museo Arts Moderno, Museo Nacional de Antropología, Museo Tamayo Arte Contemporáneo, Ome Tochtli, Pedro Linares, Pedro Serrano, Remedios Varo, Rene Magritte, Richard Gwyn, The Generation of the Lamb, William Burroughs, Wolfgang Paalen, Xochipilli
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