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- @arrroberts Ultima Glule. 51 minutes ago
- RT @NEUboots19: Less the #JohnLaurieCryOfDoomed (always tempting, v much so today), and more the humane note struck by this: ‘generous whe… 11 hours ago
- This has helped a bit today. (One for poor old Hellmouth 'Blighty', in unequal parts bewitched, bloodied, and brow-… twitter.com/i/web/status/1… 20 hours ago
- @WilliamWootten I think we could pitch ‘I Demand A Rewrite’ to that #KaiserChiefs beat combo while we’re at it. 1 day ago
- @WilliamWootten Can Bojo be blamed for dragging a fridge with him everywhere, Will? - the man’s entitled to some pr… twitter.com/i/web/status/1… 1 day ago
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Tag Archives: Carlos López Beltran
Leonora, Linares and the Alebrijes, 1
(I’ve been meaning and indeed longing to get back to this account of my non-encounter with Leonora Carrington two years ago in Mexico City, and to describe what I met instead. Revisiting my drafts within a month of the earthquake … Continue reading
Posted in xenochronicity
Tagged André Breton, Brendan Riley, Carlos López Beltran, Claudio Lomnitz, Daniel Garza Usabiaga, David Cronenberg, Elena Poniatawska, eXistenZ, Julián Herbert, Lee Miller, Leonora Carrington, Lewis Carroll, Liverpool Tate, Mama Leukaemia, Max Ernst, Mexico, Mexico City, Museo Arts Moderno, Museo Nacional de Antropología, Museo Tamayo Arte Contemporáneo, Ome Tochtli, Pedro Linares, Pedro Serrano, Remedios Varo, Rene Magritte, Richard Gwyn, The Generation of the Lamb, William Burroughs, Wolfgang Paalen, Xochipilli
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