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Anarchive
Tag Archives: Draffens
From the Miniature to the Virtual: Informationist Dundee
Like several Scottish and Northern cities which have struggled with their changing identity – are they, as formerly, principally provincial conglomerations, or can they become something more, something capable of rebalancing the stacked centre/region dichotomy? – Dundee has performed and … Continue reading →
Posted in dundee makar
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Tagged Alice, Cox's Stack, Czech Republic, D.M. Brown's, Darlington, Draffens, Dundee, Dundee Doldrums, Dundee Makar, Durham, Edinburgh, Edwin Morgan, Elgin, Flann O'Brien, Frieda Kahlo, Gairfish, General Monck, Groucho's, Grove Academy, Hugh MacDiarmid, Hull, Informationist Dundee, Jackie Kay, John Davidson, Kolkata, Lewis Carroll, Liz Lochhead, Mennie's, Mexico City, Michael Marra, Monty Python, Newcaslte, Noctes Ambrosianae, Pedro Serrano, Richard Price, Royal Arch, Royal Society of Literature, Scots language, Shanghai, Situationism, Speedwell Tavern, Stirling, Tay Whale, Taybridge Bar, The Goons, The McManus, The Overgate, The Pillars, The Ruin, The White Knight, Through the Looking Glass, Trades Kirk, Virtual Scotland, W.S. Graham, Whaleback City, William McGonagall, Wordsworth Trust
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PsychoGeoFerry Fyve
(As part of the effort to make sense of not making sense which, without meaning it to, became my resolution at some point during the most recent spate of Daft Days, I think I should post the five pieces I’ve … Continue reading →
Posted in dundee makar
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Tagged Auden, Barney Bubbles, Bash Street, Billy & Bunny, Bridget Riley, Cactusville, Clark Ashton Smith, D.C. Thomson's, Dixon Hawke, Doctor Who, Draffens, Faust, Frank Frazetti, Fyvie's, Groucho's, H.P. Lovecraft, Hawkwind, Keats, Logan's Run, Planet of the Apes, Robert E. Howard, Roger Dean, Rollerball, Rupert Bear, The Broons, The Deep Sea, The Perth Road, Vincent King, Yes
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