Tag Archives: Dundee

Keaton, Carrington, Milligan: 3

Posted on April 8, 2018 by Bill Herbert

(Warning, Will Robinson : this section seems to veer off at a tangent before returning to (what appears to be) the subject…) I was struck by a recent and very particular version of our impositions on the customary: the decision … Continue reading →

Posted in current emanations, xenochronicity | Tagged Bothie Nichts, Buster Keaton, Dundee, Hugh MacDiarmid, J.M. Barrie, J.R.R. Tolkien, Jimmy Shane, Leonora Carrington, Monty Python's Flying Circus, Naked Lunch, Oor Wullie, Spike Milligan, Steamboat Bill Jr, The Broons, The Courier, The Goon Show, The Guardian, The Hobbit, The Mighty Boosh, The People's Journal, The Sunday Post, The White Heather Club, VisitScotland, Walter Benjamin, William Burroughs | 2 Comments

Keaton, Carrington, Milligan: 1

Posted on April 6, 2018 by Bill Herbert

(I seem to have spent forever over this next set of posts, or, rather, not so much over as hovering – or havering – nearby. Many other duties, including a talk on one of the poets mentioned below, W.S. Graham, … Continue reading →

Posted in current emanations, xenochronicity | Tagged Arc Publications, Buster Keaton, DCA, Dundee, Ivor Cutler, Leonora Carrington, Little Nemo, Neil Brand, Poet & Critic, Reverend Thomas Dick, Rudi Blesh, Spike Milligan, Steamboat Bill Jr, Teresa Griffiths, The House of Fear, The Testament of the Reverend Thomas Dick, Verity Maidlow, W.S. Graham, Winsor McCoy | Leave a comment

Mourning and Monsters, 2

Posted on December 26, 2017 by Bill Herbert

(In which we perhaps learn more about the monsters, and the Makarship, than the mourning…) At the end of the short filmed interview he conducted with me after my gaining the Dundee Makarship in 2013, the late Jim Stewart was … Continue reading →

Posted in current emanations, Makaronics, xenochronicity | Tagged Andy Jackson, Asif Khan, Auchenshoogle, Beanotown, Bristol Festival of Ideas, Cactusville, D'Arcy Thompson, Desperate Dan, Dr Patrick Blair, Dundee, Dundee Doldrums, Dundee Makar, Emily Dickinson, Florentina, Frankenstein, Gairfish, Grand Theft Auto, Grove Academy, Hector Boece, Informationism, Jim Stewart, Leonora Carrington, Mary Shelle, Mexico City, Minecraft, Monstro, New Boots and Pantisocracies, Oor Wullie, Pinocchio, Robert Wedderburn, Strawberry Duck, The Broons, The Complaynt of Scotlande, The Courier, The Dundee Whale, The McManus Galleries, The Newcastle Centre for the Literary Arts, The People's Friend, The Scottish Poetry Library, The Uncouthy, W.D. Latto, William McGonagall | Leave a comment

Mourning and Monsters, 1

Posted on December 24, 2017 by Bill Herbert

(As Christmas and the year’s end approaches, you begin to adopt Janus’s regard: looking forward to what is shared and anticipated, while reflecting back on what is lost or appears to be completed. I’ve been considering the links between the … Continue reading →

Posted in current emanations, Makaronics, xenochronicity | Tagged Andy Croft, Broughty Ferry, Byron, Crete, Don Juan, Dundee, Fudan University, N.S. Thompson, Shanghai | Leave a comment

Pies, Poute, and the Poetry Mills of Victorian Dundee

Posted on October 28, 2017 by Bill Herbert

It might make some sense to resume this blog where it left off, with a further reference to the ongoing work on Dundee writing in the 19th century. At the Dundee Literary Festival the other week, Professor Kirstie Blair and … Continue reading →

Posted in dundee makar, Makaronics, reviews (some antique) | Tagged Adam Wilson, Alexander Burgess, Alyth, Andy Jackson, Athole's Pies, Christopher North, D.C. Thomson's, Dundee, Dundee Literary Festival, Dundee Makar, Eccentric Scotland, Edwin Morgan, Erin Farley, Factory Muse, Gairfish, Gioia Angeletti, Hugh MacDiarmid, Ian Hislop, James 'B.V.' Thomson, James Hogg, James Young Geddes, John Davidson, John Wilson, Kristie Blair, New Boots and Pantisocracies, Nick Newman, Noctes Ambrosianae, Poets of The People's Journal, Popular Literature in Victorian Scotland, Poute, Radical Renfrew, Richard Price, Sir John Leng, Tammas Bodkin, The People's Journal, The Scottish Nation, The Wipers Times, Tom Leonard, Valentina Bold, W.D. Latto, Walt Whitman, Whaleback City, William Donaldson, William McGonagall | 1 Comment

The Three Polis: Scots and Intralingual Translation

Posted on May 16, 2017 by Bill Herbert

The panel I took part in on translation at last week’s Newcastle Poetry Festival raised a number of issues of equal fascination to both poets and translators, and, one would hope, readers of both. I found myself as excited by … Continue reading →

Posted in current emanations, xenochronicity | Tagged Charles Olson, Dundee, Dundee Doldrums, Erica Jarnes, Ezra Pound, Fiona Sampson, Hugh MacDiarmid, I Am The Walrus, Jean Boase-Beier, John Lennon, Kent, Newcastle, Newcastle Poetry Festival, Poettrios, River Tay, Robert Creeley, Robert Wedderburn, Roman Jakobson, Sophie Collins, Tayside, Thatcherism, The Beatles, The Complaynt of Scotlande, The Horrors of Slavery, The Maximus Poems, The Monolog Recreativ, The Poetry Translation Centre | 2 Comments

Close, 4

Posted on May 11, 2017 by Bill Herbert

(The previous post involved me testing out and adapting one of Geddes’s ‘thinking machines’ – a little bit of neural coding, if you like. It helped me recognise that my tendencies to withdrawal, incrementalism, slapstickery, and to what I identified … Continue reading →

Posted in current emanations, Makaronics, xenochronicity | Tagged Bartleby, Chapman, Charlotte Higgins, Dundee, Dundee Poetry, Gairfish, Helen Kidd, Hermless, Hugh MacDiarmid, Jim Benstead, Jim Stewart, Keith Jebb, Michael Marra, Oxford, Patrick Geddes, Phyllida Barlow, Punkademia, Richard Price, Slapp Happy, The Bartleby Syndrome, The Guardian, The Secondary, Tom Raworth | Leave a comment

Tag Archives: Dundee

Keaton, Carrington, Milligan: 3

Keaton, Carrington, Milligan: 1

Mourning and Monsters, 2

Mourning and Monsters, 1

Pies, Poute, and the Poetry Mills of Victorian Dundee

The Three Polis: Scots and Intralingual Translation

Close, 4

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