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- On the stroke of #MidnightElginMarblesUpdates: twitter.com/ae_stallings/s… 1 hour ago
- RT @ABJackson1: An uncollected poem by Alexander Hutchison, with italics represented by flanking asterisks: SOME SHIFT Certainly it is ti… 23 hours ago
- RT @NEUboots2021: We featured Bernadette the Marvellous on New Boots slightly more than a year ago, during the first Lenten Lockdown: htt… 1 day ago
- @ianduhig Also: this new Bashō translation from 1906 turns the whole poem on its head. https://t.co/nywqw75jk2 1 day ago
- @ianduhig When I was a Young Dundonian back in #VirtualDundee, we had a haiku club called #TheBashōStreetKids, and… twitter.com/i/web/status/1… 1 day ago
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Recent Posts
- Keaton, Carrington, Milligan: 4
- Keaton, Carrington, Milligan: 3
- Keaton, Carrington, Milligan: 2
- Keaton, Carrington, Milligan: 1
- Mourning and Monsters, 2
- Mourning and Monsters, 1
- Leonora, Linares, and the Alebrijes, 2
- Leonora, Linares and the Alebrijes, 1
- Pies, Poute, and the Poetry Mills of Victorian Dundee
- Poetry, performance and place: a postcard from Dundee
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Anarchive
Tag Archives: Dundee
Keaton, Carrington, Milligan: 1
(I seem to have spent forever over this next set of posts, or, rather, not so much over as hovering – or havering – nearby. Many other duties, including a talk on one of the poets mentioned below, W.S. Graham, … Continue reading
Posted in current emanations, xenochronicity
Tagged Arc Publications, Buster Keaton, DCA, Dundee, Ivor Cutler, Leonora Carrington, Little Nemo, Neil Brand, Poet & Critic, Reverend Thomas Dick, Rudi Blesh, Spike Milligan, Steamboat Bill Jr, Teresa Griffiths, The House of Fear, The Testament of the Reverend Thomas Dick, Verity Maidlow, W.S. Graham, Winsor McCoy
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Mourning and Monsters, 2
(In which we perhaps learn more about the monsters, and the Makarship, than the mourning…) At the end of the short filmed interview he conducted with me after my gaining the Dundee Makarship in 2013, the late Jim Stewart was … Continue reading
Posted in current emanations, Makaronics, xenochronicity
Tagged Andy Jackson, Asif Khan, Auchenshoogle, Beanotown, Bristol Festival of Ideas, Cactusville, D'Arcy Thompson, Desperate Dan, Dr Patrick Blair, Dundee, Dundee Doldrums, Dundee Makar, Emily Dickinson, Florentina, Frankenstein, Gairfish, Grand Theft Auto, Grove Academy, Hector Boece, Informationism, Jim Stewart, Leonora Carrington, Mary Shelle, Mexico City, Minecraft, Monstro, New Boots and Pantisocracies, Oor Wullie, Pinocchio, Robert Wedderburn, Strawberry Duck, The Broons, The Complaynt of Scotlande, The Courier, The Dundee Whale, The McManus Galleries, The Newcastle Centre for the Literary Arts, The People's Friend, The Scottish Poetry Library, The Uncouthy, W.D. Latto, William McGonagall
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Mourning and Monsters, 1
(As Christmas and the year’s end approaches, you begin to adopt Janus’s regard: looking forward to what is shared and anticipated, while reflecting back on what is lost or appears to be completed. I’ve been considering the links between the … Continue reading
Posted in current emanations, Makaronics, xenochronicity
Tagged Andy Croft, Broughty Ferry, Byron, Crete, Don Juan, Dundee, Fudan University, N.S. Thompson, Shanghai
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Pies, Poute, and the Poetry Mills of Victorian Dundee
It might make some sense to resume this blog where it left off, with a further reference to the ongoing work on Dundee writing in the 19th century. At the Dundee Literary Festival the other week, Professor Kirstie Blair and … Continue reading
Posted in dundee makar, Makaronics, reviews (some antique)
Tagged Adam Wilson, Alexander Burgess, Alyth, Andy Jackson, Athole's Pies, Christopher North, D.C. Thomson's, Dundee, Dundee Literary Festival, Dundee Makar, Eccentric Scotland, Edwin Morgan, Erin Farley, Factory Muse, Gairfish, Gioia Angeletti, Hugh MacDiarmid, Ian Hislop, James 'B.V.' Thomson, James Hogg, James Young Geddes, John Davidson, John Wilson, Kristie Blair, New Boots and Pantisocracies, Nick Newman, Noctes Ambrosianae, Poets of The People's Journal, Popular Literature in Victorian Scotland, Poute, Radical Renfrew, Richard Price, Sir John Leng, Tammas Bodkin, The People's Journal, The Scottish Nation, The Wipers Times, Tom Leonard, Valentina Bold, W.D. Latto, Walt Whitman, Whaleback City, William Donaldson, William McGonagall
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The Three Polis: Scots and Intralingual Translation
The panel I took part in on translation at last week’s Newcastle Poetry Festival raised a number of issues of equal fascination to both poets and translators, and, one would hope, readers of both. I found myself as excited by … Continue reading
Posted in current emanations, xenochronicity
Tagged Charles Olson, Dundee, Dundee Doldrums, Erica Jarnes, Ezra Pound, Fiona Sampson, Hugh MacDiarmid, I Am The Walrus, Jean Boase-Beier, John Lennon, Kent, Newcastle, Newcastle Poetry Festival, Poettrios, River Tay, Robert Creeley, Robert Wedderburn, Roman Jakobson, Sophie Collins, Tayside, Thatcherism, The Beatles, The Complaynt of Scotlande, The Horrors of Slavery, The Maximus Poems, The Monolog Recreativ, The Poetry Translation Centre
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Close, 3
(I was struck while reading this review of Murakami’s latest book of short stories by the parallel between his ‘dialled down’ male protagonists, and the ‘hermless’ aspect of Dundee’s male population during the heyday of the jute industry, the ‘kettle-bilers’ … Continue reading
Close, 2
(A short disquisition on how sideboards do furnish a room, in which I’m thinking about types of closeness: how close we get to – or should approach – those lives we thought we might lead. How distant the writer might … Continue reading
Posted in current emanations, Makaronics
Tagged 'Poute' (Alexander Burgess), Ane Satire of the Three Estates, Asbestos Garage, Basil Bunting, Broughty Ferry, Burns, Chomei, Dundee, Flarf, Hugh MacDiarmid, James Easson, James Young Geddes, Michael Marra, Sir David Lindsay, Tenerife, The Burns Stanza, The Evening Telegraph, Virtual Sideboard, William McGonagall, Yang Lian
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Close, 1
(When I went off to Crete for 10 days over Paskha, I had a cunning plan. Knowing that I had large projects of scary creative work to do in the realms of both poetry and prose, I set myself two … Continue reading
