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Tag Archives: Creative Writing
Imagining Imagined Spaces
This review of a book of essays exploring the range of forms possible within creative critical thinking was supposed to appear in a briefer form sometime last year but, for whatever reason, did not. It acts as a sort of … Continue reading
Posted in current emanations, reviews (some antique), xenochronicity
Tagged Charles Ronnie Mackintosh, Creative Criticism, Creative Writing, Duncan MacLean, Dundee, Dundee University, Gail Low, Glenn Gould, Kengo Kuma, Kenny Taylor, Kirsty Gunn, Lorens Holm, Meaghan Delahunt, Montaigne, Nine Arches Press, Patrick Geddes, Paul Noble, Philip Lopate, Susan Nickalls, The Idea of North, The V&A, The Voyage Out, Zen, Zenimalism
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From Mere Bellies to the Bad Shaman, 4
(This concluding section tries to have its cake or perhaps pie and eat it, resisting conclusiveness by suggesting Keats’s Negative Capability describes the relationship between the two parts of a metaphor, and tying that back into the comparison between discourses … Continue reading
From Mere Bellies to the Bad Shaman, 3
(If you felt the previous section jumped around a bit, you’ll love this, which tries to get from Nietzsche to Carol Ann Duffy in as few paragraphs as possible. Again the argument is trying to favour metaphor’s capacity for comparison … Continue reading
Posted in xenochronicity
Tagged Allen Ginsberg, Andrew Motion, Anti-Oedipus, Apollonian, Aristotle, Carol Ann Duffy, Christopher Isherwood, Coleridge, Creative Writing, Deterritorialisation and Reterritorialisation, Dionysian, Edwin Morgan, Félix Guattari, Fiona Samoson, Freud, Gerard Manley Hopkins, Gilles Deleuze, Gorbachov, Hesiod, Humphrey Carpenter, John Betjeman, Julian Jaynes, Keats, Lenin, Mallarmé, Nietzsche, Oedipalisation, Plato, Poetry, Putin, Richard Hugo, Rimbaud, Robert Lowell, Socrates, Stalin, Stephen Spender, Ted Hughes, The Birth of Tragedy, The Cooked and the Raw, The Poet Laureate, The Poetics, The Republic, W.B. Yeats, W.H. Auden, Wordsworth, Yeltsin
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From Mere Bellies to the Bad Shaman, 1
(This began as a talk/reading given at a one-day symposium held at the University of Glasgow on November 24, 2007. It was then revised as an essay for The Apothecary’s Chest: Magic, Art and Medication, edited by that symposium’s organisers, … Continue reading
Posted in xenochronicity
Tagged Anne-Marie Millim, Art and Medication, Bad Shaman Blues, Charles Ferneyhough, Creative Writing, Dante, Fabienne Collignon, Henri Corbin, Hypnotherapy, Konstantina Georganta, Martin Conway, Milton, Moscow, Poetics, Poetry, Richard Noll, The Apothecary’s Chest: Magic, The Moscow Metro, The University of Glasgow, Three Men on the Metro, translation
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Everything is Translation
(Sometime toward the end of last year, I was chatting via email with Fiona Sampson about a translation project when I remarked that I’d been thinking for some time of translation as being at the heart of a broader range … Continue reading
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