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Tag Archives: ‘Poute’ (Alexander Burgess)
Close, 2
(A short disquisition on how sideboards do furnish a room, in which I’m thinking about types of closeness: how close we get to – or should approach – those lives we thought we might lead. How distant the writer might … Continue reading
Posted in current emanations, Makaronics
Tagged 'Poute' (Alexander Burgess), Ane Satire of the Three Estates, Asbestos Garage, Basil Bunting, Broughty Ferry, Burns, Chomei, Dundee, Flarf, Hugh MacDiarmid, James Easson, James Young Geddes, Michael Marra, Sir David Lindsay, Tenerife, The Burns Stanza, The Evening Telegraph, Virtual Sideboard, William McGonagall, Yang Lian
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Omnisatire and the Ragged Sleeve
Reading The Poets of The People’s Journal, edited by Kirstie Blair, I am so far maist impressed by by the mock-rustic ‘Poute’ (Alexander Burgess), wha conducts a sort of omnisatire, in that he critiques mid-19th century assumptions about poetry, the … Continue reading
Posted in current emanations
Tagged 'Poute' (Alexander Burgess), Adrian Wisniewski, Alexander Moffat, Alison Flett, Annalena McAfee, David Kinloch, David Wheatley, George Gilfillan, Guardian Review, Harry Giles, Hugh MacDiarmid, Jackie Kay, Kate Kellaway, Kirstie Blair, Liz Lochhead, Lys Hansen, People's Journal, Peter Howson, R.D. Laing, Richard Price, Robert Burns, Robert Crawford, Stella Cartwright, Stephen Campbell, The Bottle Imp, Tom Leonard, W.S. Graham, William Letford, William McGonagall
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