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Tag Archives: Flarf
Close, 2
(A short disquisition on how sideboards do furnish a room, in which I’m thinking about types of closeness: how close we get to – or should approach – those lives we thought we might lead. How distant the writer might … Continue reading
Posted in current emanations, Makaronics
Tagged 'Poute' (Alexander Burgess), Ane Satire of the Three Estates, Asbestos Garage, Basil Bunting, Broughty Ferry, Burns, Chomei, Dundee, Flarf, Hugh MacDiarmid, James Easson, James Young Geddes, Michael Marra, Sir David Lindsay, Tenerife, The Burns Stanza, The Evening Telegraph, Virtual Sideboard, William McGonagall, Yang Lian
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New Cartographies for Old
(An edited version of this review appeared in the Summer 2015 issue of Poetry London.) Sandeep Parmar, Eidolon (Shearsman); Sam Riviere, Kim Kardashian’s Wedding (Faber & Faber); Tony Williams, The Midlands (Nine Arches Press). These three collections in their different … Continue reading
Posted in reviews (some antique)
Tagged Adrian Mitchell, Agamemnon, Anastasia, Brecht, Christopher Logue, Clytemnestra, Dada, Droste Effect, Edward Hopper, Eliot, Euripides, Flarf, Francis Bacon, Geoff Hettersley, George Clooney, H.D., Harpo Marx, Helen Mort, Helen of Troy, Hugh MacDiarmid, Ian McMillan, Jack Woolley, Jerry Springer, Kim Kardashian, Lettrism, Michael Symmons Roberts, Noam Chomsky, Pareidolia, Paul Farley, Poetry London, Pound, Richard Dadd, Rimbaud, Sam Riviere, Sandeep Parmar, Simon Armitage, Situationism, Surrealism, Ted Hughes, The Archers, The Beats, The Language Poets, The Ruin, Tony Harrison, Tony Williams, W.H. Auden, Whitman, William Hazlitt, Wordsworth
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