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- @peterctid1965 @keith_jebb @BmillsBilly I meant ‘Poetry is Dead’ but ‘Poetry is the Dead’ or even ‘Poetry is “The Dead”’ will do as well… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly We’re probably straying into Poetry is the Dead/the New Rock n Roll/the New… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly Me neither - I think that’s where I’m heading but I don’t rightly know where ‘there’ is ye… twitter.com/i/web/status/1… 1 day ago
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Tag Archives: Paul Farley
New Cartographies for Old
(An edited version of this review appeared in the Summer 2015 issue of Poetry London.) Sandeep Parmar, Eidolon (Shearsman); Sam Riviere, Kim Kardashian’s Wedding (Faber & Faber); Tony Williams, The Midlands (Nine Arches Press). These three collections in their different … Continue reading
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Tagged Adrian Mitchell, Agamemnon, Anastasia, Brecht, Christopher Logue, Clytemnestra, Dada, Droste Effect, Edward Hopper, Eliot, Euripides, Flarf, Francis Bacon, Geoff Hettersley, George Clooney, H.D., Harpo Marx, Helen Mort, Helen of Troy, Hugh MacDiarmid, Ian McMillan, Jack Woolley, Jerry Springer, Kim Kardashian, Lettrism, Michael Symmons Roberts, Noam Chomsky, Pareidolia, Paul Farley, Poetry London, Pound, Richard Dadd, Rimbaud, Sam Riviere, Sandeep Parmar, Simon Armitage, Situationism, Surrealism, Ted Hughes, The Archers, The Beats, The Language Poets, The Ruin, Tony Harrison, Tony Williams, W.H. Auden, Whitman, William Hazlitt, Wordsworth
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