Tag Archives: Miró

Carry On, Leonora: 1

Posted on October 3, 2015 by Bill Herbert

(This is the first of five sections of a piece I’ve been puzzling over all summer about the great British Surrealist painter and writer, Leonora Carrington. Puzzling because I don’t quite know where I’m going with this, though it clearly … Continue reading →

Posted in xenochronicity | Tagged Alastair Reid, André Breton, Barry MacSweeney, Basil Bunting, Braque, Crete, Cubism, Da Vinci, Dalí, Dark whimsy, David Jones, De Chirico, Dotor Who, Edward Lear, Edwin Muir, Elena Poniatowska, Eric Mottram, Flann O'Brien, Frank O'Hara, Geoffrey Hill, Harry Tawb, Hugh MacDiarmid, Ian Hamilton Finlay, Iggy Pop, John Ashbery, John Fuller, Jon Pertwee, Jonathan Strange and Mr Norrell, Kenneth White, Leonora Carrington, Lewis Carroll, Liverpool, Lyn Hejinian, Lynne Roberts, Max Ernst, Mick Imlah, Miró, Monty Python, Paul McCartney, Peggy Guggenheim, Peter Blake, Prynne, Richard Dadd, Robert Duncan, Roger Delgado, Ron Silliman, Sir Arthur Evans, Spike Milligan, Surrealism, Susannah Clarke, Ted Berrigan, Terry Gilliam, The Autons, The House of Fear, The Labyrinth, The Ruin, The Tate, Tristram Shandy, Victor Brauner, W.S. Graham | 3 Comments

Tag Archives: Miró

Carry On, Leonora: 1

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