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- One for @NEUboots2020 - cheers, idle cheers, she knows just what they mean... twitter.com/salenagodden/s… 2 days ago
- RT @SophieherX: My addition to @outposted1 south London. A cut up poem about my changing city & sharing this mammoth nervy spider with the… 2 days ago
- Splendid - now put it back as ye foond it, #Dundee Cooncil. #TheOvergateMustBeRebuilt cf, as per usual, #Chtcheglov… twitter.com/i/web/status/1… 3 days ago
- RT @JamesAttlee: Dig deep, East Oxford! The UPP is a jewel... In my book Isolarion I called it "my favourite cinema, a place where films ar… 3 days ago
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Tag Archives: Gawain and the Green Knight
Heroes and Homilies (3)
(This third section is an attempt to bring the argument a little more up to date by using three contemporary writers as a means of categorising certain ways of working with old texts, what I call ‘diachronic translation’, i.e. within … Continue reading
Heroes and Homilies (1)
(This talk was delivered in the summer of 2014 at Bede’s World as part of their lecture series, and to accompany an exhibition curated by Roger Wollen, ‘Myths, Memories and Mysteries,’ which focussed on a number of contemporary artists influenced … Continue reading
Posted in xenochronicity
Tagged Alexander Pope, Alice Oswald, Bede's World, Beowulf, Boccaccio, Chaucer, Christopher Logue, Ezra Pound, Gawain and the Green Knight, HOmer, J.O. Morgan, John Donne, John Dryden, Joyce, Lavinia Greenlaw, Lindisfarne, Patience Agbabi, Robert Henryson, Roger Wollen, Seamus Heaney, Shakespeare, Simon Armitage, Tennyson, Testament of Cresseid, The Battle of Maldon, The Canterbury Tales, The Iliad, The Odyssey, Troilus and Cressida, Virgil
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