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- @peterctid1965 @keith_jebb @BmillsBilly I meant ‘Poetry is Dead’ but ‘Poetry is the Dead’ or even ‘Poetry is “The Dead”’ will do as well… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly We’re probably straying into Poetry is the Dead/the New Rock n Roll/the New… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly Me neither - I think that’s where I’m heading but I don’t rightly know where ‘there’ is ye… twitter.com/i/web/status/1… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly It’s probably caught up in how ideas of worth get smoodged up with ideas of… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly I certainly experience an issue distinguishing types of writing from a hierarchy of texts,… twitter.com/i/web/status/1… 1 day ago
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Tag Archives: Gawain and the Green Knight
Heroes and Homilies (3)
(This third section is an attempt to bring the argument a little more up to date by using three contemporary writers as a means of categorising certain ways of working with old texts, what I call ‘diachronic translation’, i.e. within … Continue reading
Heroes and Homilies (1)
(This talk was delivered in the summer of 2014 at Bede’s World as part of their lecture series, and to accompany an exhibition curated by Roger Wollen, ‘Myths, Memories and Mysteries,’ which focussed on a number of contemporary artists influenced … Continue reading
Posted in xenochronicity
Tagged Alexander Pope, Alice Oswald, Bede's World, Beowulf, Boccaccio, Chaucer, Christopher Logue, Ezra Pound, Gawain and the Green Knight, HOmer, J.O. Morgan, John Donne, John Dryden, Joyce, Lavinia Greenlaw, Lindisfarne, Patience Agbabi, Robert Henryson, Roger Wollen, Seamus Heaney, Shakespeare, Simon Armitage, Tennyson, Testament of Cresseid, The Battle of Maldon, The Canterbury Tales, The Iliad, The Odyssey, Troilus and Cressida, Virgil
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