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- @peterctid1965 @keith_jebb @BmillsBilly I meant ‘Poetry is Dead’ but ‘Poetry is the Dead’ or even ‘Poetry is “The Dead”’ will do as well… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly We’re probably straying into Poetry is the Dead/the New Rock n Roll/the New… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly Me neither - I think that’s where I’m heading but I don’t rightly know where ‘there’ is ye… twitter.com/i/web/status/1… 1 day ago
- @peterctid1965 @keith_jebb @BmillsBilly It’s probably caught up in how ideas of worth get smoodged up with ideas of… twitter.com/i/web/status/1… 1 day ago
- @keith_jebb @BmillsBilly I certainly experience an issue distinguishing types of writing from a hierarchy of texts,… twitter.com/i/web/status/1… 1 day ago
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Tag Archives: Chennai
Interview for Gentleman
(Gentleman is an Indian magazine: about ten years ago, my old pal from Kolkatta, Debanjan Chakrabarti, wrote up this interview based on my last trip to India. I was just getting some poems together for my next trip — next … Continue reading →
Posted in elderblog
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Tagged Barry MacSweeney, Bertold Brecht, Chennai, Don Paterson, Edmond Jabes, Gerard Manley Hopkins, Hugh MacDiarmid, John Donne, Kaalbaishakhi, Kathleen Jamie, Kolkatta, Norman MacCaig, Santiniketan, Sean O'Brien, Stan Laurel, Tagore, Ted Hughes, William McGonnagall, William Wordsworth, Yang Lian
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