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- #QuietCoach: the facts. twitter.com/betarish/statu… 10 hours ago
- #MatthewFitt telt me tae Uncle Google masel and the phrase ‘skotský básník‘, and suddently there Eh wiz, gettin a s… twitter.com/i/web/status/1… 17 hours ago
- Fascinating on what might constitute a fungal narrative structure, and why one might use it to describe mid-to-late… twitter.com/i/web/status/1… 20 hours ago
- RT @SomaliWeekFest: Are you looking a part-time job in the Arts sector? @KaydSomaliArts / @SomaliWeekFest is looking for a dedicated Digita… 20 hours ago
- RT @BloodaxeBooks: Today (23 Feb) at 4.30pm on @BBCRadio4: @AilbheDarcy explores the late Danish poet #IngerChristensen's #alphabet. Ailbhe… 21 hours ago
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Recent Posts
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Anarchive
Tag Archives: Charlotte Higgins
Close, 4
(The previous post involved me testing out and adapting one of Geddes’s ‘thinking machines’ – a little bit of neural coding, if you like. It helped me recognise that my tendencies to withdrawal, incrementalism, slapstickery, and to what I identified … Continue reading →
Posted in current emanations, Makaronics, xenochronicity
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Tagged Bartleby, Chapman, Charlotte Higgins, Dundee, Dundee Poetry, Gairfish, Helen Kidd, Hermless, Hugh MacDiarmid, Jim Benstead, Jim Stewart, Keith Jebb, Michael Marra, Oxford, Patrick Geddes, Phyllida Barlow, Punkademia, Richard Price, Slapp Happy, The Bartleby Syndrome, The Guardian, The Secondary, Tom Raworth
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